"The word secret has an erotic edge, as if in hiding anything,
a story, a weapon, a piece of candy still wet from the mouth,
clinging to the flannel lining of a pocket, one moves closer
to a sequestered sexual body at the core of being."
––A Chorus Of Stones, Susan Griffin
Stream of consciousness with fictitious and found stories and a personal reference.
Directors Statement:
Remote Intimacy is a found-footage montage which combines many types of archival documentary footage (including home movies, educational films, and newsreels), with a seemingly personal narrative, blending various individual recollections with literary texts. Beginning with an account of a recurring dream, the film is a poetic amplification of Memory, and with its associative narrative structure I hope to open up a space for reflection
on issues of cultural dislocation.
–––From found footage and text fragments, Sylvia Schedelbauer puts together a diving expedition into the subconscious in her film “Ferne Intimität” (Remote Intimacy). Individual and collective traumas of suffering and loss conjoin in a narrative that irresistibly pulls us in, one that can be read as a metaphor for the catastrophes of the past century. Rather than drawing on well-known media imagery, (...) the artist makes her own discoveries of moments of high visual poetry, to which she adds a sensitive and insightful soundtrack. (Jury statement, BILD-KUNST Award, KunstFilmBiennale 2007)
–––A montage of impressive, metaphorically charged black and white archival footage from the 1920s to the 1970s – of fishing boats, marine ships, sea birds, forest workers and playing kids––are combined with text fragments to form an associative stream of consciousness, that revolves around the connection between the collective and individual, war and peace, family and autobiography.
In Remote Intimacy, Schedelbauer creates a dialogue between fictitious and found stories, “Found Footage”, as well as personal texts and other authors' texts. She continues her engagement with the repercussions of World War II on her Japanese mother and her German father, that was the basis of her film Memories.(program notes, 3Sat)