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| "Wenn zwei Menschen in derselben Wohnung leben, sich jeden Tag sehen und sich obendrein lieben, werden ihre Gedächtnisse durch ihr täglichen Gespräche aufeinander abgestimmt: in stillschweigendem, unbewussten Einverständnis lassen sie weite Bereiche ihres Lebens dem Vergessen anheimfallen und sprechen wieder und wieder von den wenigen gleichen Ereignissen, die sie zu ein und derselben Erzählung verweben, welche gleich einer Brise im Geäst über ihren Köpfen säuselt und sie unentwegt daran erinnert, dass sie zusammengelebt haben." ––Die Unwissenheit, Milan Kundera |
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| eRINNERUNGEN |
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| Länge: |
19' |
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| Produktionsjahr: |
2004 |
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| Format: |
BetaSp / MiniDV, Pal or NTSC |
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| Voice-over: |
Sylvia Schedelbauer |
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| Sprache: |
Deutsch |
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| Synopsis: |
Eine junge Frau wächst in den Jahren der Seifenblasenwirtschaft in Japan auf.
Warum erzählten ihre Eltern nie über ihre Jugend?
Anhand einer Kiste voller Photos wird eine mögliche Geschichte konstruiert. |
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"War and conflict bookend this untraditional family history, Schedelbauer's exploration of how the legacy of the mid/late 20 th century's complicated histories have shaped her own familial lineage. Constructed entirely of family photos, from documents of her grandfather's questionable involvement with the Nazis, to the joint narratives of her German father and Japanese mother, and finally to her own coming of age during the first Gulf War, Memories explores the vagaries and construction of memory and history." [Chi-hui Yang, program notes, The 2008 Robert Flaherty Film Seminar]

(deutscher Text z.Z. nicht vorhanden)
"Sylvia Schedelbauer's film begins with the word 'Erinnerungen' (Memories), on what looks like an innocuous photo album. The next image reveals the German Nazi emblem above that word. Behind the cover of her grandfather's album are stories of his life in the German military during National Socialism. The grandchild tries to recognize a relative she never even met in photos of the troops, a man who died at Stalingrad. After the war, Schedelbauer's voiceover continues, her father had moved to Japan as a commercial agent, where he had married a local woman.
Born in Japan, Schedelbauer herself grows up bicultural in a society that remains alien to her, and only discovers deeper reasons for her alienation as an adult: Those who do not know their roots will have an uneasy place in the present, the ‚here and now.' Both her father and mother remain silent about the past. Schedelbauer endeavours to find a narrative history to explain the photos; at the same time, she questions her search for identity."
[Festival magazine, International Short Film Festival Oberhausen, 2005]
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Screenings: |
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| 2010 Stan Brakhage Symposium, Boulder, USA |
| 2009 artist's talk bei Image Movement, Berlin |
| 2009 Filmklub in Takino, Liechtenstein |
| 2008 Werkstatt der Kulturen, Berlin |
| 2008 Flaherty NYC, Anthology Film Archives, New York |
| 2008 Pacific Film Archive, Berkeley, USA |
| 2008 Flaherty Film Seminar, Colgate College, New York |
| 2006 Center for Contemporary Art Tel Aviv, Oberhausen Programm 1 |
| 2006 Wand 5 Stuttgarter Filmwinter |
| 2006 Cinematheque Jerusalem, Oberhausen Programm 1 |
| 2006 Festival Signes du Nuit Paris |
| 2006 “Dislocations” Videoscreening, NewYorkRioTokio, Berlin |
| 2006 “History Recovered”, Other Cinema, San Francisco |
| 2006 “traveler–auf Reisen wohnen” Videoscreening, Gallerie Sammler, Leipzig |
| 2006 Zwergwerk, Oldenburger Kurzfilmtage |
| 2005 Tesla Salon im Podewil'schen Palais, Berlin |
| 2005 Flensburger Kurzfilmtage |
| 2005 Europäische Kurzfilmbiennale Ludwigsburg |
| 2005 Shadow Festival Amsterdam |
| 2005 Rencontres Internationales Paris/Berlin |
| 2005 Internationale Kurzfilmtage Oberhausen |
Preise |
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2006 Directorʼs Citation Black Maria Film Festival |

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| Interview auf OtherZine |
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| Portrait auf RNW |
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EditRegion3 |