A cascade of images cut frame by frame flow into an allegory of the lunar cycle.
A man in a forest is subject to a flood of impressions; rhythmic waves of images and sounds give form to his introspection.
A layered tone poem of found images and woven soundscapes renders a shifting psychogram; a nomadic passage across spaces in and out of time.
A montage of mid-century found footage: mysterious strands are obsessively braided to create a poetic reflection about an anxious interplay of memory and projection.
Stream of consciousness with fictitious and found stories and a personal reference.
A woman grows up during the bubble economy in Japan. Why did her parents never speak about the past? Using a box full of photos found in her family archive, the filmmaker tries to construct one version of a family history.
Born in Tokyo Sylvia Schedelbauer first moved to Berlin in 1993, where she has been based since. She studied at the University of Arts Berlin (with Katharina Sieverding). Her films negotiate the space between broader historical narratives and personal, psychological realms mainly through poetic manipulations of found and archival footage.
Selected screenings: Toronto International Film Festival, International Short Film Festival Oberhausen, London Film Festival, New York Film Festival, Robert Flaherty International Film Seminar and Stan Brakhage Symposium. Awards inlcude the VG Bildkunst Award, the German Film Critics’ Award and the Gus Van Sant Award for Best Experimental Film.
–––Schedelbauer’s films reveal the world in a perpetually unsettled state of flux and traverses into liminal zones where time and space collapse. (James Hansen, Women to Watch, Cleo - Journal of Film and Feminism)
–––The videos of Sylvia Schedelbauer reinvent the found-footage genre through their dense layers of imagery that narrate memory as an elusive object. (...) her visual material is harvested from an archive of ephemeral films housed in San Francisco—a nomadic artistic existence that manifests itself in her work through themes of migration, hidden histories and inherited rebelliousness. (Chris Kennedy, program notes, TIFF Cinematheque)